5 Grooves Transcritos de Anthony Jackson

luiztebet escreveu:É Alex,AJ tem varias cartas na manga.

LuCaSbass escreveu:Allex, vc já viu o AJ tocando alguma dessas músicas transcritas?
Tenho um show ao vivo dele com o Steve Khan e o album em estúdio e ele faz algumas das linhas gravadas(quando não são livres).

allexcosta escreveu:

LuCaSbass escreveu:Allex, vc já viu o AJ tocando alguma dessas músicas transcritas?
Tenho um show ao vivo dele com o Steve Khan e o album em estúdio e ele faz algumas das linhas gravadas(quando não são livres).

As transcritas não... Sim, sem dúvida ele respeita a linha original mas enche de intenções sutis a cada chorus. E quando é hora de ferver é difícil saber de onde ele tira tanta idéia...

Sá Reston escreveu:Brabo é ele ter gravado as faixas da Chaka com um Fender 4 cordas e em todas as músicas vc tem notas abaixo do E grave...

Muitas vezes rola um C grave... Coisa de gênio mesmo.

Sá Reston escreveu:Nessa época não.

Nem tinha corda B nas gravações da Chaka. Era o baixo todo afinado 2 tons abaixo com esponja na ponte hehehe

Chaka Khan's 1978 debut solo album "Chaka" was among the very first records to feature the fruits of Anthony Jackson's experiments with down-tuning his 4-string Fender bass. As such, the succession of low Cs that shape the chorus of "Love Has Fallen On Me" - along with the perhaps better-known detuned bass parts on the "Naughty" album - were, in hindsight, destined to change the future of the bass guitar.

In a Nov. 2008 interview with Bass Player magazine, AJ talked with Chris Jisi about his early experiments with tuning down, citing "Love Has Fallen On Me" as being among the first recorded examples of this tinkering.

"In 1978, I started doing really intensive down-tunings of a major 3rd or a 4th on my Fender Jazz the night before a session, using epoxy cement and serrated kitchen knives to raise and file the nut, while also adjusting the truss-rod and bridge. I'd tune down all four strings so they had an even feel and tone across the neck. To get the notes I wanted, I had to play with lightest touch possible. It was a priceless education on controlling my instrument with my fingers only, learning how to make them speak and dance, from an almost subliminal whisper to a roar, all without plucking too hard, which would have caused the strings to hit the fingerboard and go sharp. One of the first tracks I cut this way was a Diana Ross song called No One Gets the Prize, from her album The Boss [Motown, 1979]. Another early attempt was the chorus of Chaka Khan's Love Has Fallen on Me, from her album Chaka [Warner Bros., 1979]. That paved the way for the more widely known down-tunings I did on Chaka's albums Naughty and What Cha' Gonna Do for Me [Warner Bros, 1980 and 1981], and the Luther Vandross cover of A House Is Not a Home, from his album Never Too Much [Epic, 1981]."